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SDG
154. Ach Herr, lass dein lieb' Engelein, Joh. Passion (J.S. Bach, BWV 245.40).
SDG
1:39 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B T Bass 21 3 5 4 100%
S A Treble 15 0 3 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B T Bass 21 3 5 4 100%
S A Treble 15 0 3 6 100%
 
48. Liebster Herr Jesu, wo bleibst du so lange. Schemelli, J.S. Bach, BWV 484.
SDG
1:19 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 3 4 100%
T A Bass 21 0 6 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 3 4 100%
T A Bass 21 0 6 4 100%
 
Behold the lamb of God, Messiah Händel.
SDG
0:25 Est. Play
Time
32 Measures
1,242Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
I,
2nd 		Treble 18 0 3 8 100%
Violin
II,
2nd 		Treble 20 0 4 9 100%
View all 21 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
I,
2nd 		Treble 18 0 3 8 100%
Violin
II,
2nd 		Treble 20 0 4 9 100%
Violins
I		 Treble 18 0 3 8 100%
Violins
II		 Treble 20 0 4 9 100%
Bassoon,
Bassoon		 Bass 16 0 3 8 94%
Cello Bass 16 0 3 8 94%
Contrabass Bass 17 0 3 8 94%
Viola 16 0 3 9 94%
Alto Treble 13 0 3 6 81%
Treble 13 0 3 6 81%
Treble 13 0 3 6 81%
Soprano Treble 13 0 3 7 81%
Treble 13 0 3 7 81%
Treble 13 0 3 7 81%
Oboe,
Oboe		 Treble 13 0 3 7 81%
Harpsichord Treble 24 50 6 8 75%
Bass 24 36 5 8 72%
Tenor Treble 13 0 4 6 75%
Treble 13 0 4 6 75%
Treble 13 0 4 6 75%
Bass Bass 15 0 3 8 75%
 
286. O Mensch, bewein' dein Sünde gross. BWV 402. Johann Sebastian Bach.
SDG
1:22 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 24 0 8 4 100%
Contrabass Bass 19 0 7 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 24 0 8 4 100%
Contrabass Bass 19 0 7 3 50%
 
10. Der Tag mit seinem Lichte, Schemelli, Bach, BWV 448.
SDG
1:21 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 18 0 6 5 100%
Tenor/Bass Bass 22 1 7 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 18 0 6 5 100%
Tenor/Bass Bass 22 1 7 5 100%
 
36. Christ ist erstanden. BWV 276. J.S. Bach, Klug.
SDG
1:59 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 5 7 100%
Tenor/Bass Bass 26 0 8 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 5 7 100%
Tenor/Bass Bass 26 0 8 7 100%
Contrabass Bass 19 0 6 7 50%
Soprano Treble 2 0 0 1 3%
 
'k Aanbid de macht van uwe liefde, Dmitri Bortnjanski. Russian Orthodox style setting, by Gertim (SDG).
SDG
1:31 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 11 0 0 5 100%
T/B Bass 21 16 2 5 100%
Tenor Treble 9 0 0 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 11 0 0 5 100%
T/B Bass 21 16 2 5 100%
Tenor Treble 9 0 0 4 100%
 
232. Lobet den Herren, denn er ist sehr freundlich. BWV 374.
SDG
1:06 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 7 100%
Tenor/Bass Bass 22 0 5 7 100%
Contrabass Bass 15 0 3 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 7 100%
Tenor/Bass Bass 22 0 5 7 100%
Contrabass Bass 15 0 3 4 50%
 
173. Hilf, Herr Jesu, lass gelingen. BWV 344.
SDG
0:53 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 2 4 100%
Tenor/Bass Bass 23 0 7 5 100%
Contrabass Bass 16 0 4 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 2 4 100%
Tenor/Bass Bass 23 0 7 5 100%
Contrabass Bass 16 0 4 4 50%
 
105. Freuet euch, ihr Christen alle. BWV 40 #8
SDG
0:59 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 21 0 6 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 21 0 6 4 100%
Contrabass Bass 16 0 4 3 50%
Voice Treble 3 0 0 1 10%
 
311. Sollt' ich meinem Gott nicht singen. BWV 413.
SDG
1:47 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 5 100%
Tenor/Bass Bass 22 0 5 5 100%
Contrabass Bass 17 0 3 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 5 100%
Tenor/Bass Bass 22 0 5 5 100%
Contrabass Bass 17 0 3 4 50%
 
91. Es ist genug; so nimm, Herr, meinen Geist. BWV 60 #5
SDG
1:07 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 15 0 5 6 100%
Tenor/Bass Bass 21 0 8 6 88%
Soprano/Alto Treble 15 0 4 6 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 15 0 5 6 100%
Tenor/Bass Bass 21 0 8 6 88%
Soprano/Alto Treble 15 0 4 6 88%